Headphone EQ

Beats Studio3 Wireless EQ settings for Mac

Last updated: October 2, 2026

Beats Studio3 Wireless has 3 published AutoEQ corrections, from 3 measurement rigs, and this page carries every one of them. macOS has no system-wide equalizer of its own, so applying a correction to everything your Mac plays, rather than inside a single player, needs an app that sits on the system audio path.

• Who it is for: anyone listening to the Beats Studio3 Wireless on a Mac who wants its measured tonal balance pulled toward a neutral target.
• What a correction is: a set of equalizer filters that the open-source AutoEQ project computes by comparing a published measurement of the headphone with a target curve.
• What this page holds: for every measurement, the curve, its parametric filters, the same filters as copy-paste text, a ten-band version and a one-click EQBase preset.
• What it cannot do: it changes frequency response only. It will not make up for worn pads or for distortion, and it was measured on someone else's pair, not yours.
• What you need: any parametric equalizer takes the filters, on any platform. The preset needs EQBase, free on macOS 14.4 or later.

Worth knowing: The correction here runs against the reputation: oratory1990's measurement asks for about 5 dB more at 31 Hz and a cut around 250 Hz, so it deepens the sub-bass while thinning the upper bass that makes these sound thick. Three rigs measured this model and they sit within roughly 3 dB of each other, widest in the top octave.

What the Beats Studio3 Wireless correction changes

These figures come from the measurement by oratory1990, the one the picker below opens with. The largest boost is +5.1 dB at sub-bass (31 Hz), and the largest cut is −3.8 dB at lower midrange (250 Hz). Total swing across the ten bands is 8.9 dB. Averaged over its bands the bass is lifted by 0.8 dB, more than the other two, which is where most of the audible change lands.

The 3 published measurements on this page, from 3 rigs, do not agree with each other, and the size of the disagreement is worth knowing before picking one. They differ most at top octave (16 kHz), where the ten-band figures span 3.2 dB, and least at midrange (1 kHz), where they span 0.3 dB.

The Beats Studio3 Wireless corrections, measurement by measurement

Pick a measurement to see its correction curve, its parametric filters, the same filters as copy-paste text in AutoEQ's format (which Equalizer APO and Peace, REW and most desktop parametric equalizers import, and which EQBase's own Expert EQ reads and writes), and EQBase's ten-band version, which is what the downloadable preset applies.

Preamp: -6.9 dB
Filter 1: ON LSC Fc 105 Hz Gain 7.7 dB Q 0.70
Filter 2: ON PK Fc 327 Hz Gain -5.9 dB Q 1.56
Filter 3: ON PK Fc 5209 Hz Gain 6.7 dB Q 2.64
Filter 4: ON PK Fc 68 Hz Gain -8.1 dB Q 0.78
Filter 5: ON PK Fc 1978 Hz Gain 4.3 dB Q 2.19
Filter 6: ON HSC Fc 10000 Hz Gain -2.5 dB Q 0.70
Filter 7: ON PK Fc 3257 Hz Gain -1.9 dB Q 4.42
Filter 8: ON PK Fc 666 Hz Gain 1.5 dB Q 2.52
Filter 9: ON PK Fc 6665 Hz Gain 1.5 dB Q 3.92
Filter 10: ON PK Fc 428 Hz Gain -1.1 dB Q 4.35

Preamp: -6.2 dB
Filter 1: ON LSC Fc 105 Hz Gain 6.2 dB Q 0.70
Filter 2: ON PK Fc 348 Hz Gain -5.1 dB Q 0.76
Filter 3: ON PK Fc 586 Hz Gain 5.3 dB Q 2.41
Filter 4: ON PK Fc 2829 Hz Gain 2.5 dB Q 0.45
Filter 5: ON PK Fc 64 Hz Gain -7.1 dB Q 0.85
Filter 6: ON HSC Fc 10000 Hz Gain -2.7 dB Q 0.70
Filter 7: ON PK Fc 9368 Hz Gain -2.5 dB Q 2.46
Filter 8: ON PK Fc 4808 Hz Gain 5.1 dB Q 3.12
Filter 9: ON PK Fc 3264 Hz Gain -5.5 dB Q 3.05
Filter 10: ON PK Fc 2301 Hz Gain 2.5 dB Q 2.71

Preamp: -6.4 dB
Filter 1: ON LSC Fc 105 Hz Gain 2.8 dB Q 0.70
Filter 2: ON PK Fc 81 Hz Gain -6.6 dB Q 0.40
Filter 3: ON PK Fc 1997 Hz Gain 4.5 dB Q 1.31
Filter 4: ON PK Fc 32 Hz Gain 7.2 dB Q 0.81
Filter 5: ON PK Fc 9564 Hz Gain -6.2 dB Q 6.00
Filter 6: ON HSC Fc 10000 Hz Gain 1.0 dB Q 0.70
Filter 7: ON PK Fc 576 Hz Gain 2.8 dB Q 2.61
Filter 8: ON PK Fc 263 Hz Gain -1.7 dB Q 0.90
Filter 9: ON PK Fc 3564 Hz Gain -3.6 dB Q 6.00
Filter 10: ON PK Fc 149 Hz Gain 2.1 dB Q 2.39

Ten-band or parametric EQ for the Beats Studio3 Wireless?

A parametric equalizer lets every filter take any frequency, gain and width, where width is written as Q and a higher Q means a narrower filter, so it can reproduce AutoEQ's filters exactly. A ten-band graphic equalizer has ten fixed bands an octave apart, from 31 Hz to 16 kHz, all the same width, so it can only approximate them. EQBase's ten-band version sets those ten gains to match the parametric curve at the band centers, allowing for how the bands overlap, rather than reading the curve off at each center.

On oratory1990's measurement, the ten-band version stays within 5.5 dB of the parametric curve between 40 Hz and 10 kHz. Across all 8,666 corrections in EQBase's catalog the median for that range is 3.3 dB, which makes the Beats Studio3 Wireless a harder fit for ten bands than most. The largest of those gaps sits around 5.3 kHz, where a boosting filter at 5.21 kHz with a Q of 2.6 is far narrower than a one-octave band can follow.

Use the parametric filters if your equalizer accepts them: they are the correction exactly as published. The ten-band version is for equalizers with fixed sliders, EQBase's free tier among them, and it is what the downloadable preset applies. On EQBase Pro, applying the Beats Studio3 Wireless from the Headphones pane uses the parametric filters directly, and the preset carries them as well, one switch to Expert EQ away. AutoEQ publishes its own ten-band file on the same grid, fitted to the raw measurement rather than to these filters, so the two agree closely through the midrange and can differ at the extremes.

How to use the Beats Studio3 Wireless correction on a Mac

To use the Beats Studio3 Wireless correction on a Mac, apply it with an equalizer that runs on system audio, so it reaches every app at once. In EQBase the fastest route skips this page: open the Headphones pane, search for the Beats Studio3 Wireless, which is in the built-in catalog of 6,033 models, and click the measurement you want. The preset above does the same from a file, for anyone who wants to see the numbers first or a specific measurement rather than the default one.

Either way the free tier carries it with no time limit. The Beats Studio3 Wireless preset above sets the ten-band curve, which is what the free tier applies, so nothing on this page is behind a purchase.

The Beats Studio3 Wireless is worn around the ear, where the pads decide a good deal of what the measurement rig saw. Worn or replaced pads move the response, which is why several models here carry separate curves for exactly that. If yours are old, expect the correction to be a near miss rather than an exact one.

Most of the measurements behind this page were made with the headphone in its normal listening mode, and active noise cancelling changes the response it is correcting. Switching ANC or transparency on and off is not a small tone change, so a correction that sounds right in one mode may not in another.

Common questions about Beats Studio3 Wireless EQ

Do these EQ settings work on any Mac app?

Yes, if the equalizer runs on system audio rather than inside one player. EQBase processes everything the Mac plays, so the same correction applies to Spotify, Safari, YouTube, games and calls. The Music app's own equalizer only affects Music.

Where do the Beats Studio3 Wireless numbers come from?

From 3 published AutoEQ measurements of the Beats Studio3 Wireless, made by oratory1990, Rtings and Auriculares Argentina. Each one is a real frequency-response measurement compared against a target curve, and each produces its own set of filters. They are all on this page rather than averaged together, because a measurement belongs to the person who made it.

Why is the Beats Studio3 Wireless preamp negative?

The Beats Studio3 Wireless correction needs −6.9 dB of headroom on its default measurement, so the preset pulls the signal down by that much before the boosts are applied. Boosting a signal that is already near full scale would clip it, and the negative preamp is what buys the room. Skip it and loud passages distort. That is a large figure by the standards of this catalog, which is normal for a model whose correction lifts the bass a long way.

Can I use these filters in a different equalizer?

Yes. The filter table is a standard parametric list: type, frequency, gain and Q. Any parametric equalizer that accepts those four values per band will take them, on any platform. The one-click preset is only a shortcut for EQBase users.

Other headphones with published corrections

• Beats Solo3 Wireless EQ settings for Mac, 4 published measurements
• Beats Powerbeats Pro EQ settings for Mac, 3 published measurements
• Beats Studio Buds + EQ settings for Mac, 3 published measurements
• Beats Solo Pro EQ settings for Mac, 2 published measurements
• Beats Studio Buds EQ settings for Mac, 2 published measurements

More Beats headphones: Beats Fit Pro · Beats Flex · Beats Powerbeats Pro 2 · Beats Solo 4 · Beats Solo Buds · Beats Studio Pro

Credits

Correction data from the AutoEQ project by Jaakko Pasanen, used under the MIT licence. The measurements themselves are the work of the people credited on each curve above. EQBase ships the same catalog in the app, with the same attribution.

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