Headphone EQ

Beats Powerbeats Pro EQ settings for Mac

Last updated: September 15, 2026

Beats Powerbeats Pro has 3 published AutoEQ corrections, from 3 measurement rigs, and this page carries every one of them. Below is the curve, the exact parametric filters behind it, and a one-click preset for EQBase. macOS has no system-wide equalizer of its own, so applying a correction to everything your Mac plays, rather than inside a single player, needs an app that sits on the system audio path.

Worth knowing: Three rigs measured the Powerbeats Pro, oratory1990 among them, and they agree unusually closely: 0.1 dB apart at 31 Hz and within a decibel of each other at every band below 2 kHz. The correction they ask for is small to begin with, nothing beyond 3.4 dB anywhere. This is the 2019 model with the ear hooks and no noise cancelling; the Powerbeats Pro 2 that replaced it is a different headphone with its own page.

Each measurement below carries four things: the correction curve, its parametric filters, the same filters as copy-paste text in AutoEQ's format (which Equalizer APO and Peace, REW and most desktop parametric equalizers import, and which EQBase's own Expert EQ reads and writes), and EQBase's ten-band fit of that correction. The ten-band figures are what the downloadable preset applies, so what you hear matches what is written here. AutoEQ publishes its own ten-band file on the same grid, fitted to the raw measurement rather than to these filters, so the two agree closely through the midrange and can differ at the extremes.

The correction, measurement by measurement

-12-6+0+6+12201001k10k20k

Measured by oratory1990. Preamp −6.4 dB. Correction data from the AutoEQ project.

Parametric filters

TypeFrequencyGainQ
Low shelf105 Hz−0.8 dB0.70
Peak6.6 kHz+6.1 dB2.51
Peak2.7 kHz−4.4 dB2.80
Peak1.36 kHz−2.1 dB1.94
Peak3.61 kHz+3.7 dB4.72
High shelf10 kHz+3.7 dB0.70
Peak143 Hz−1.2 dB1.56
Peak374 Hz+0.7 dB1.21
Peak4.69 kHz−2.2 dB6.00
Peak60 Hz+0.4 dB1.34

Copy into another equalizer

Preamp: -6.4 dB
Filter 1: ON LSC Fc 105 Hz Gain -0.8 dB Q 0.70
Filter 2: ON PK Fc 6596 Hz Gain 6.1 dB Q 2.51
Filter 3: ON PK Fc 2703 Hz Gain -4.4 dB Q 2.80
Filter 4: ON PK Fc 1362 Hz Gain -2.1 dB Q 1.94
Filter 5: ON PK Fc 3607 Hz Gain 3.7 dB Q 4.72
Filter 6: ON HSC Fc 10000 Hz Gain 3.7 dB Q 0.70
Filter 7: ON PK Fc 143 Hz Gain -1.2 dB Q 1.56
Filter 8: ON PK Fc 374 Hz Gain 0.7 dB Q 1.21
Filter 9: ON PK Fc 4688 Hz Gain -2.2 dB Q 6.00
Filter 10: ON PK Fc 60 Hz Gain 0.4 dB Q 1.34

AutoEQ also publishes a 127-point graphic curve, a fixed-band version, the raw measurement and the response graph for this measurement: see the source files.

Ten-band version

BandGain
31 Hz−0.7 dB
62 Hz−0.1 dB
125 Hz−1.2 dB
250 Hz+0.2 dB
500 Hz+0.5 dB
1 kHz−0.7 dB
2 kHz−1.8 dB
4 kHz+1.1 dB
8 kHz+3.4 dB
16 kHz+2.8 dB
Preamp−6.4 dB
-12-6+0+6+12201001k10k20k

Measured by Rtings. Preamp −4.4 dB. Correction data from the AutoEQ project.

Parametric filters

TypeFrequencyGainQ
Low shelf105 Hz−0.9 dB0.70
Peak585 Hz+1.6 dB1.07
Peak6.1 kHz+4.6 dB3.76
Peak2.61 kHz−3.0 dB4.24
Peak1.42 kHz−2.4 dB2.22
High shelf10 kHz−1.0 dB0.70
Peak133 Hz−1.1 dB1.59
Peak3.77 kHz+3.7 dB5.11
Peak65 Hz+0.5 dB1.42
Peak4.54 kHz−2.0 dB6.00

Copy into another equalizer

Preamp: -4.4 dB
Filter 1: ON LSC Fc 105 Hz Gain -0.9 dB Q 0.70
Filter 2: ON PK Fc 585 Hz Gain 1.6 dB Q 1.07
Filter 3: ON PK Fc 6101 Hz Gain 4.6 dB Q 3.76
Filter 4: ON PK Fc 2609 Hz Gain -3.0 dB Q 4.24
Filter 5: ON PK Fc 1415 Hz Gain -2.4 dB Q 2.22
Filter 6: ON HSC Fc 10000 Hz Gain -1.0 dB Q 0.70
Filter 7: ON PK Fc 133 Hz Gain -1.1 dB Q 1.59
Filter 8: ON PK Fc 3771 Hz Gain 3.7 dB Q 5.11
Filter 9: ON PK Fc 65 Hz Gain 0.5 dB Q 1.42
Filter 10: ON PK Fc 4542 Hz Gain -2.0 dB Q 6.00

AutoEQ also publishes a 127-point graphic curve, a fixed-band version, the raw measurement and the response graph for this measurement: see the source files.

Ten-band version

BandGain
31 Hz−0.8 dB
62 Hz−0.1 dB
125 Hz−1.2 dB
250 Hz+0.1 dB
500 Hz+1.4 dB
1 kHz−0.1 dB
2 kHz−1.4 dB
4 kHz+2.5 dB
8 kHz+0.4 dB
16 kHz−1.0 dB
Preamp−4.4 dB
-12-6+0+6+12201001k10k20k

Measured by Harpo. Preamp −5.1 dB. Correction data from the AutoEQ project.

Parametric filters

TypeFrequencyGainQ
Low shelf105 Hz−0.9 dB0.70
Peak6.46 kHz+5.2 dB3.72
Peak9.75 kHz+3.0 dB2.96
Peak2.57 kHz−3.0 dB4.31
Peak1.39 kHz−1.7 dB2.13
High shelf10 kHz−2.1 dB0.70
Peak340 Hz+1.1 dB1.26
Peak146 Hz−1.1 dB1.62
Peak3.63 kHz+3.7 dB5.24
Peak4.7 kHz−3.2 dB6.00

Copy into another equalizer

Preamp: -5.1 dB
Filter 1: ON LSC Fc 105 Hz Gain -0.9 dB Q 0.70
Filter 2: ON PK Fc 6456 Hz Gain 5.2 dB Q 3.72
Filter 3: ON PK Fc 9749 Hz Gain 3.0 dB Q 2.96
Filter 4: ON PK Fc 2573 Hz Gain -3.0 dB Q 4.31
Filter 5: ON PK Fc 1388 Hz Gain -1.7 dB Q 2.13
Filter 6: ON HSC Fc 10000 Hz Gain -2.1 dB Q 0.70
Filter 7: ON PK Fc 340 Hz Gain 1.1 dB Q 1.26
Filter 8: ON PK Fc 146 Hz Gain -1.1 dB Q 1.62
Filter 9: ON PK Fc 3635 Hz Gain 3.7 dB Q 5.24
Filter 10: ON PK Fc 4701 Hz Gain -3.2 dB Q 6.00

AutoEQ also publishes a 127-point graphic curve, a fixed-band version, the raw measurement and the response graph for this measurement: see the source files.

Ten-band version

BandGain
31 Hz−0.8 dB
62 Hz−0.6 dB
125 Hz−1.0 dB
250 Hz+0.5 dB
500 Hz+0.5 dB
1 kHz−0.5 dB
2 kHz−1.1 dB
4 kHz+1.2 dB
8 kHz+2.3 dB
16 kHz−1.9 dB
Preamp−5.1 dB

What this correction changes

The largest boost is +3.4 dB at treble (8 kHz), and the largest cut is −1.8 dB at upper midrange (2 kHz). Total swing across the ten bands is 5.2 dB. Averaged over its bands the treble is lifted by 2.4 dB, more than the other two, which is where most of the audible change lands.

The 3 published measurements on this page, from 3 rigs, do not agree with each other, and the size of the disagreement is worth knowing before picking one. They differ most at top octave (16 kHz), where the ten-band figures span 4.7 dB, and least at sub-bass (31 Hz), where they span 0.1 dB.

Applying this on a Mac

The Beats Powerbeats Pro is an in-ear monitor, and its bass depends far more on the seal than on anything in this correction. A tip that does not seal loses the low bass outright, and no amount of boost puts it back. If the bottom end still sounds missing after applying this, change tips and re-seat them before deciding the curve is wrong.

The Beats Powerbeats Pro connects over Bluetooth, so the Mac's own headphone amplifier never enters the picture: macOS encodes the audio and the headphone's electronics drive it from there. Nothing about amplification applies here, but the preamp does. Leave the headroom the preset asks for, because a boosted band that clips does so before the signal ever leaves the Mac.

In EQBase the fastest route skips this page entirely: open the Headphones pane, search for your model, and apply the correction. The Beats Powerbeats Pro is in the built-in catalog along with 8,665 other models. The preset above exists for people who want to see the numbers first, or who want a specific measurement rather than the default one.

Either way the correction applies to every app at once, and the free tier carries it with no time limit. The Beats Powerbeats Pro preset above sets the ten-band curve, which is what the free tier applies, so nothing on this page is behind a purchase.

Common questions

Do these EQ settings work on any Mac app?

Yes, if the equalizer runs on system audio rather than inside one player. EQBase processes everything the Mac plays, so the same correction applies to Spotify, Safari, YouTube, games and calls. The Music app's own equalizer only affects Music.

Where do the Beats Powerbeats Pro numbers come from?

From 3 published AutoEQ measurements of the Beats Powerbeats Pro, made by oratory1990, Rtings and Harpo. Each one is a real frequency-response measurement compared against a target curve, and each produces its own set of filters. They are all on this page rather than averaged together, because a measurement belongs to the person who made it.

Why is the Beats Powerbeats Pro preamp negative?

The Beats Powerbeats Pro correction needs −6.4 dB of headroom on its default measurement, so the preset pulls the signal down by that much before the boosts are applied. Boosting a signal that is already near full scale would clip it, and the negative preamp is what buys the room. Skip it and loud passages distort. That is a large figure by the standards of this catalog, which is normal for a model whose correction lifts the bass a long way.

Can I use these filters in a different equalizer?

Yes. The filter table is a standard parametric list: type, frequency, gain and Q. Any parametric equalizer that accepts those four values per band will take them, on any platform. The one-click preset is only a shortcut for EQBase users.

Other headphones with published corrections

Credits

Correction data from the AutoEQ project by Jaakko Pasanen, used under the MIT licence. The measurements themselves are the work of the people credited on each curve above. EQBase ships the same catalog in the app, with the same attribution.

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