Headphone EQ

Sony WF-1000XM5 EQ settings for Mac

Last updated: August 6, 2026

Sony WF-1000XM5 has 5 published AutoEQ corrections, from 5 measurement rigs, and this page carries every one of them. Below is the curve, the exact parametric filters behind it, and a one-click preset for EQBase. macOS has no system-wide equalizer of its own, so applying a correction to everything your Mac plays, rather than inside a single player, needs an app that sits on the system audio path.

Each measurement below carries four things: the correction curve, its parametric filters, the same filters as copy-paste text in AutoEQ's format (which Equalizer APO and Peace, REW and most desktop parametric equalizers import, and which EQBase's own Expert EQ reads and writes), and EQBase's ten-band fit of that correction. The ten-band figures are what the downloadable preset applies, so what you hear matches what is written here. AutoEQ publishes its own ten-band file on the same grid, fitted to the raw measurement rather than to these filters, so the two agree closely through the midrange and can differ at the extremes.

Preamp: -2.6 dB
Filter 1: ON LSC Fc 105 Hz Gain 5.4 dB Q 0.70
Filter 2: ON PK Fc 68 Hz Gain -4.8 dB Q 0.27
Filter 3: ON PK Fc 1377 Hz Gain 2.6 dB Q 0.31
Filter 4: ON PK Fc 1806 Hz Gain -3.5 dB Q 1.16
Filter 5: ON PK Fc 6875 Hz Gain 1.8 dB Q 3.49
Filter 6: ON HSC Fc 10000 Hz Gain 2.3 dB Q 0.70
Filter 7: ON PK Fc 3757 Hz Gain 0.3 dB Q 2.56
Filter 8: ON PK Fc 5057 Hz Gain -0.7 dB Q 5.70
Filter 9: ON PK Fc 449 Hz Gain 0.3 dB Q 4.15
Filter 10: ON PK Fc 677 Hz Gain -0.2 dB Q 2.75

Preamp: -4.8 dB
Filter 1: ON LSC Fc 105 Hz Gain -1.0 dB Q 0.70
Filter 2: ON PK Fc 135 Hz Gain -3.3 dB Q 0.48
Filter 3: ON PK Fc 540 Hz Gain 4.5 dB Q 1.53
Filter 4: ON PK Fc 399 Hz Gain -0.9 dB Q 1.11
Filter 5: ON PK Fc 927 Hz Gain 1.4 dB Q 1.60
Filter 6: ON HSC Fc 10000 Hz Gain 4.8 dB Q 0.70
Filter 7: ON PK Fc 9764 Hz Gain -3.2 dB Q 3.87
Filter 8: ON PK Fc 1975 Hz Gain -0.8 dB Q 3.15
Filter 9: ON PK Fc 10000 Hz Gain 0.3 dB Q 3.43
Filter 10: ON PK Fc 4313 Hz Gain -1.5 dB Q 6.00

Preamp: -4.4 dB
Filter 1: ON LSC Fc 105 Hz Gain -0.5 dB Q 0.70
Filter 2: ON PK Fc 177 Hz Gain -3.1 dB Q 0.66
Filter 3: ON PK Fc 3325 Hz Gain 3.1 dB Q 1.04
Filter 4: ON PK Fc 1125 Hz Gain 1.2 dB Q 1.73
Filter 5: ON PK Fc 9771 Hz Gain -3.2 dB Q 5.41
Filter 6: ON HSC Fc 10000 Hz Gain 4.4 dB Q 0.70
Filter 7: ON PK Fc 9484 Hz Gain -2.4 dB Q 5.08
Filter 8: ON PK Fc 63 Hz Gain 0.2 dB Q 1.90
Filter 9: ON PK Fc 516 Hz Gain -0.5 dB Q 2.20
Filter 10: ON PK Fc 330 Hz Gain 0.2 dB Q 1.34

Preamp: -4.9 dB
Filter 1: ON LSC Fc 105 Hz Gain -3.3 dB Q 0.70
Filter 2: ON PK Fc 161 Hz Gain -2.8 dB Q 0.63
Filter 3: ON PK Fc 3488 Hz Gain 3.3 dB Q 2.33
Filter 4: ON PK Fc 1244 Hz Gain 1.3 dB Q 0.80
Filter 5: ON PK Fc 65 Hz Gain 2.3 dB Q 0.94
Filter 6: ON HSC Fc 10000 Hz Gain 5.0 dB Q 0.70
Filter 7: ON PK Fc 9679 Hz Gain -5.0 dB Q 4.22
Filter 8: ON PK Fc 5050 Hz Gain -1.7 dB Q 6.00
Filter 9: ON PK Fc 2377 Hz Gain 0.7 dB Q 5.99
Filter 10: ON PK Fc 9673 Hz Gain 0.1 dB Q 6.00

Preamp: -2.6 dB
Filter 1: ON LSC Fc 105 Hz Gain -0.1 dB Q 0.70
Filter 2: ON PK Fc 157 Hz Gain -2.4 dB Q 0.72
Filter 3: ON PK Fc 3598 Hz Gain 2.5 dB Q 1.86
Filter 4: ON PK Fc 947 Hz Gain 1.1 dB Q 1.37
Filter 5: ON PK Fc 65 Hz Gain 0.8 dB Q 1.19
Filter 6: ON HSC Fc 10000 Hz Gain -0.1 dB Q 0.70
Filter 7: ON PK Fc 6494 Hz Gain 0.9 dB Q 4.37
Filter 8: ON PK Fc 4822 Hz Gain -1.3 dB Q 6.00
Filter 9: ON PK Fc 4260 Hz Gain 0.7 dB Q 6.00
Filter 10: ON PK Fc 1849 Hz Gain -0.3 dB Q 3.69

What this correction changes

The largest boost is +1.9 dB at top octave (16 kHz), and the largest cut is −2.1 dB at upper bass (125 Hz). Total swing across the ten bands is 4.0 dB. Averaged over its bands the treble is lifted by 1.5 dB, more than the other two, which is where most of the audible change lands.

The 5 published measurements on this page, from 5 rigs, do not agree with each other, and the size of the disagreement is worth knowing before picking one. They differ most at top octave (16 kHz), where the ten-band figures span 4.3 dB, and least at midrange (1 kHz), where they span 0.6 dB.

Applying this on a Mac

The Sony WF-1000XM5 is an in-ear monitor, and its bass depends far more on the seal than on anything in this correction. A tip that does not seal loses the low bass outright, and no amount of boost puts it back. If the bottom end still sounds missing after applying this, change tips and re-seat them before deciding the curve is wrong.

Most of the measurements behind this page were made with the headphone in its normal listening mode, and active noise cancelling changes the response it is correcting. Switching ANC or transparency on and off is not a small tone change, so a correction that sounds right in one mode may not in another.

In EQBase the fastest route skips this page entirely: open the Headphones pane, search for your model, and apply the correction. The Sony WF-1000XM5 is in the built-in catalog along with 8,665 other models. The preset above exists for people who want to see the numbers first, or who want a specific measurement rather than the default one.

Either way the correction applies to every app at once, and the free tier carries it with no time limit. The Sony WF-1000XM5 preset above sets the ten-band curve, which is what the free tier applies, so nothing on this page is behind a purchase.

Common questions

Do these EQ settings work on any Mac app?

Yes, if the equalizer runs on system audio rather than inside one player. EQBase processes everything the Mac plays, so the same correction applies to Spotify, Safari, YouTube, games and calls. The Music app's own equalizer only affects Music.

Where do the Sony WF-1000XM5 numbers come from?

From 5 published AutoEQ measurements of the Sony WF-1000XM5, made by oratory1990, Rtings, Super Review, Kazi and DHRME. Each one is a real frequency-response measurement compared against a target curve, and each produces its own set of filters. They are all on this page rather than averaged together, because a measurement belongs to the person who made it.

Why is the Sony WF-1000XM5 preamp negative?

The Sony WF-1000XM5 correction needs −2.6 dB of headroom on its default measurement, so the preset pulls the signal down by that much before the boosts are applied. Boosting a signal that is already near full scale would clip it, and the negative preamp is what buys the room. Skip it and loud passages distort. That is a small figure, meaning this correction is mostly cuts rather than boosts, so it costs very little loudness.

Can I use these filters in a different equalizer?

Yes. The filter table is a standard parametric list: type, frequency, gain and Q. Any parametric equalizer that accepts those four values per band will take them, on any platform. The one-click preset is only a shortcut for EQBase users.

Other headphones with published corrections

• Sony WH-1000XM4 EQ settings for Mac, 3 published measurements
• Sony WH-1000XM5 EQ settings for Mac, 3 published measurements
• Apple AirPods Pro EQ settings for Mac, 4 published measurements
• Apple AirPods Max EQ settings for Mac, 3 published measurements

Credits

Correction data from the AutoEQ project by Jaakko Pasanen, used under the MIT licence. The measurements themselves are the work of the people credited on each curve above. EQBase ships the same catalog in the app, with the same attribution.

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