Apple AirPods 3 EQ settings for Mac
Last updated: September 15, 2026
Apple AirPods 3 has 2 published AutoEQ corrections, from 2 measurement rigs, and this page carries every one of them. Below is the curve, the exact parametric filters behind it, and a one-click preset for EQBase. macOS has no system-wide equalizer of its own, so applying a correction to everything your Mac plays, rather than inside a single player, needs an app that sits on the system audio path.
Worth knowing: The AirPods 3 is an H1 device, and iOS 27's Custom EQ needs an H2 chip, so nothing in Apple's own software reaches this one: on a Mac the correction below is the only equalizer in the path. The two rigs that measured it land on the same number at 1 kHz and separate by 4.4 dB at 16 kHz, the usual pattern where the midrange is settled and the top octave is not. It is a different shape from both the AirPods 4 that replaced it and the sealed AirPods Pro, so neither of those curves is a substitute.
Each measurement below carries four things: the correction curve, its parametric filters, the same filters as copy-paste text in AutoEQ's format (which Equalizer APO and Peace, REW and most desktop parametric equalizers import, and which EQBase's own Expert EQ reads and writes), and EQBase's ten-band fit of that correction. The ten-band figures are what the downloadable preset applies, so what you hear matches what is written here. AutoEQ publishes its own ten-band file on the same grid, fitted to the raw measurement rather than to these filters, so the two agree closely through the midrange and can differ at the extremes.
The correction, measurement by measurement
Parametric filters
| Type | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +6.9 dB | 0.70 |
| Peak | 1.84 kHz | −3.9 dB | 2.08 |
| Peak | 3.88 kHz | +2.5 dB | 2.13 |
| Peak | 64 Hz | −5.0 dB | 0.96 |
| Peak | 43 Hz | +2.7 dB | 3.38 |
| High shelf | 10 kHz | +5.5 dB | 0.70 |
| Peak | 9.96 kHz | +2.4 dB | 1.61 |
| Peak | 6.05 kHz | −2.7 dB | 3.91 |
| Peak | 724 Hz | +1.9 dB | 2.80 |
| Peak | 420 Hz | −0.6 dB | 1.89 |
Copy into another equalizer
Preamp: -6.4 dB
Filter 1: ON LSC Fc 105 Hz Gain 6.9 dB Q 0.70
Filter 2: ON PK Fc 1838 Hz Gain -3.9 dB Q 2.08
Filter 3: ON PK Fc 3879 Hz Gain 2.5 dB Q 2.13
Filter 4: ON PK Fc 64 Hz Gain -5.0 dB Q 0.96
Filter 5: ON PK Fc 43 Hz Gain 2.7 dB Q 3.38
Filter 6: ON HSC Fc 10000 Hz Gain 5.5 dB Q 0.70
Filter 7: ON PK Fc 9961 Hz Gain 2.4 dB Q 1.61
Filter 8: ON PK Fc 6052 Hz Gain -2.7 dB Q 3.91
Filter 9: ON PK Fc 724 Hz Gain 1.9 dB Q 2.80
Filter 10: ON PK Fc 420 Hz Gain -0.6 dB Q 1.89
Ten-band version
| Band | Gain |
|---|---|
| 31 Hz | +5.7 dB |
| 62 Hz | +0.3 dB |
| 125 Hz | +0.4 dB |
| 250 Hz | −0.4 dB |
| 500 Hz | −0.2 dB |
| 1 kHz | +0.6 dB |
| 2 kHz | −3.8 dB |
| 4 kHz | +2.5 dB |
| 8 kHz | +1.5 dB |
| 16 kHz | +5.1 dB |
| Preamp | −6.4 dB |
Parametric filters
| Type | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +7.0 dB | 0.70 |
| Peak | 89 Hz | −5.2 dB | 0.86 |
| Peak | 592 Hz | +2.4 dB | 0.85 |
| Peak | 1.65 kHz | −3.6 dB | 1.92 |
| Peak | 9.14 kHz | +2.3 dB | 1.66 |
| High shelf | 10 kHz | +0.7 dB | 0.70 |
| Peak | 3.92 kHz | +2.2 dB | 2.84 |
| Peak | 5.34 kHz | −4.0 dB | 6.00 |
| Peak | 45 Hz | +1.4 dB | 4.37 |
| Peak | 62 Hz | −0.8 dB | 3.17 |
Copy into another equalizer
Preamp: -6.7 dB
Filter 1: ON LSC Fc 105 Hz Gain 7.0 dB Q 0.70
Filter 2: ON PK Fc 89 Hz Gain -5.2 dB Q 0.86
Filter 3: ON PK Fc 592 Hz Gain 2.4 dB Q 0.85
Filter 4: ON PK Fc 1649 Hz Gain -3.6 dB Q 1.92
Filter 5: ON PK Fc 9144 Hz Gain 2.3 dB Q 1.66
Filter 6: ON HSC Fc 10000 Hz Gain 0.7 dB Q 0.70
Filter 7: ON PK Fc 3924 Hz Gain 2.2 dB Q 2.84
Filter 8: ON PK Fc 5342 Hz Gain -4.0 dB Q 6.00
Filter 9: ON PK Fc 45 Hz Gain 1.4 dB Q 4.37
Filter 10: ON PK Fc 62 Hz Gain -0.8 dB Q 3.17
Ten-band version
| Band | Gain |
|---|---|
| 31 Hz | +6.0 dB |
| 62 Hz | +1.1 dB |
| 125 Hz | −1.7 dB |
| 250 Hz | −0.3 dB |
| 500 Hz | +1.9 dB |
| 1 kHz | +0.6 dB |
| 2 kHz | −2.5 dB |
| 4 kHz | +2.0 dB |
| 8 kHz | +1.6 dB |
| 16 kHz | +0.7 dB |
| Preamp | −6.7 dB |
What this correction changes
The largest boost is +5.7 dB at sub-bass (31 Hz), and the largest cut is −3.8 dB at upper midrange (2 kHz). Total swing across the ten bands is 9.5 dB. Averaged over its bands the treble is lifted by 3.0 dB, more than the other two, which is where most of the audible change lands.
The 2 published measurements on this page, from 2 rigs, do not agree with each other, and the size of the disagreement is worth knowing before picking one. They differ most at top octave (16 kHz), where the ten-band figures span 4.4 dB, and least at midrange (1 kHz), where they span 0.0 dB.
Applying this on a Mac
The Apple AirPods 3 sits in the ear without sealing it, so there is no seal to lose and no pad to wear out, and equally no way to hold low bass in. Every correction here asks for a large bass boost to make up for that, and how much of it reaches you depends on the shape of your own ear more than on the curve. If the bottom end still sounds thin afterwards, that is the form factor rather than the measurement.
The Apple AirPods 3 connects over Bluetooth, so the Mac's own headphone amplifier never enters the picture: macOS encodes the audio and the headphone's electronics drive it from there. Nothing about amplification applies here, but the preamp does. Leave the headroom the preset asks for, because a boosted band that clips does so before the signal ever leaves the Mac.
In EQBase the fastest route skips this page entirely: open the Headphones pane, search for your model, and apply the correction. The Apple AirPods 3 is in the built-in catalog along with 8,665 other models. The preset above exists for people who want to see the numbers first, or who want a specific measurement rather than the default one.
Either way the correction applies to every app at once, and the free tier carries it with no time limit. The Apple AirPods 3 preset above sets the ten-band curve, which is what the free tier applies, so nothing on this page is behind a purchase.
Common questions
Do these EQ settings work on any Mac app?
Yes, if the equalizer runs on system audio rather than inside one player. EQBase processes everything the Mac plays, so the same correction applies to Spotify, Safari, YouTube, games and calls. The Music app's own equalizer only affects Music.
Where do the Apple AirPods 3 numbers come from?
From 2 published AutoEQ measurements of the Apple AirPods 3, made by Rtings and Super Review. Each one is a real frequency-response measurement compared against a target curve, and each produces its own set of filters. They are all on this page rather than averaged together, because a measurement belongs to the person who made it.
Why is the Apple AirPods 3 preamp negative?
The Apple AirPods 3 correction needs −6.4 dB of headroom on its default measurement, so the preset pulls the signal down by that much before the boosts are applied. Boosting a signal that is already near full scale would clip it, and the negative preamp is what buys the room. Skip it and loud passages distort. That is a large figure by the standards of this catalog, which is normal for a model whose correction lifts the bass a long way.
Can I use these filters in a different equalizer?
Yes. The filter table is a standard parametric list: type, frequency, gain and Q. Any parametric equalizer that accepts those four values per band will take them, on any platform. The one-click preset is only a shortcut for EQBase users.
Other headphones with published corrections
- Apple AirPods Pro EQ settings for Mac, 4 published measurements
- Apple EarPods EQ settings for Mac, 4 published measurements
- Apple AirPods 2 EQ settings for Mac, 2 published measurements
- Beats Flex EQ settings for Mac, 1 published measurement
- Beats Solo Buds EQ settings for Mac, 1 published measurement
Credits
Correction data from the AutoEQ project by Jaakko Pasanen, used under the MIT licence. The measurements themselves are the work of the people credited on each curve above. EQBase ships the same catalog in the app, with the same attribution.
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